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Sunday at the Village Vanguard is a 1961 album by jazz pianist and composer Bill Evans. The album is routinely ranked as one of the best live jazz recordings of all time.

Sunday at the Village Vanguard was recorded live on June 25, 1961 at the Village Vanguard in New York City over five recorded sessions (2 matinee and 3 soiree). It is well remembered as the final performance by the Evans trio of the time, which included bassist Scott LaFaro and drummer Paul Motian. LaFaro was killed in a car accident ten days after the recording.

Evans and producer Orrin Keepnews reportedly selected the tracks for Sunday at the Village Vanguard to best feature LaFaro’s masterly performance on bass, beginning and ending with two tracks (“Gloria’s Step” and “Jade Visions”) written by LaFaro himself, and with all the others featuring solos by him. This album is routinely ranked as one of the best live jazz recordings of all time (https://en.wikipedia.org/wiki/Sunday_at_the_Village_Vanguard).

AllMusic Review by Thom Jurek:
Sunday at the Village Vanguard is the initial volume of a mammoth recording session by the Bill Evans Trio, from June 25, 1961 at New York’s Village Vanguard documenting Evans’ first trio with bassist Scott LaFaro and drummer Paul Motian. Its companion volume is Waltz for Debby. This trio is still widely regarded as his finest, largely because of the symbiotic interplay between its members. Tragically, LaFaro was killed in an automobile accident ten days after this session was recorded, and Evans assembled the two packages a few months afterward. While “Waltz for Debby” – in retrospect – is seemingly a showcase for Evans’ brilliant, subtle, and wide-ranging pianism, this volume becomes an homage, largely, to the genius and contribution of LaFaro. That said, however, this were never the point. According to Motian, when Evans built this trio based on live gigs at the Basin Street East, the intention was always to develop a complete interactive trio experience. At the time, this was an unheard of notion, since piano trios were largely designed to showcase the prowess of the front line soloist with rhythmic accompaniment. Here, one need listen no further than the elegant and haunting, graceful modal reading of “My Man’s Gone Now” from Porgy & Bess to know that there is something completely balanced and indescribably beautiful in their approach. Motian’s brushes whisper along the ride cymbals and both Evans and LaFaro enter into a dialogue that emerges from a darkly hued minor mode, into the melody and somehow beyond it, into a form of seamless dialogic improvisation to know that in the act of one musician slipping over and under another – as happens with all three in an aural basket weave – is something utterly new and different, often imitated but never replicated. But in a sense it happens before this, on LaFaro’s “Gloria’s Step,” which opens the recording. His thematic statement includes the briefest intro, hesitant and spacious before he and pianist enter into a harmonic and contrapuntal conversation underscored by the hushed dynamics of Motian’s snare, and the lightning-fast interlocutions of single string and chorded playing of LaFaro. The shapshifting reading of Miles Davis’ “Solar,” is a place where angularity, counterpoint, and early modalism all come together in a knotty and insistent, yet utterly seamless blend of post-bop aesthetics and expanded harmonic intercourse with Motian, whose work, while indispensable in the balance of the trio, comes more into play here, and is more assertive with his half-time accents to frame the counterpoint playing of Evans and LaFaro. This is a great place to begin with Evans (http://www.allmusic.com/album/sunday-at-the-village-vanguard-mw0000479036).

Track listing:
“Gloria’s Step” (take 2) (Scott LaFaro)
“My Man’s Gone Now” (George Gershwin)
“Solar” (Miles Davis)
“Alice in Wonderland” (take 2) (Sammy Fain)
“All of You” (take 2) (Cole Porter)
“Jade Visions” (take 2) (Scott LaFaro)
“Gloria’s Step” (take 3)
“Alice in Wonderland” (take 1)
“All of You” (take 3)
“Jade Visions” (take 1)

Personnel:
Bill Evans – piano
Scott LaFaro – bass
Paul Motian – drums

Released: Early October 1961
Recorded: June 25, 1961
Village Vanguard, New York City
Length: 68:16
Label Riverside
RLP-376
Producer: Orrin Keepnews