ProJazz.net

This album is certain to be placed in the MJQ section of any shop that carries it. In reality though, only four of the cuts here feature the permanent, stand-alone, 1952-vintage Modern Jazz Quartet; the other eight having been done in the summer and fall of 1951, when they were still known as the Milt Jackson Quartet, with Jackson providing all of the original material. The differences are so subtle as to be indistinguishable — Milt Jackson and John Lewis are on every cut, while Al Johns subs for Kenny Clarke on drums, and Ray Brown precedes Percy Heath on four of the tracks. Clarke’s drumming is more impressive in its quiet way, but Ray Brown’s bass work is simpler and more forceful. The sound is fair, with some hints of distortion that’s been repaired, on this otherwise nicely done reissue. [The 2003 reissue on Savoy Jazz changed the title of the original album to Beginnings and added two bonus tracks: a 1949 version of “Bluesology” by Milt Jackson, and a large group featuring Billy Mitchell on sax and Roy Haynes on drums, and a 1954 version of “Blues Mood” by Kenny Clarke with Milt Jackson and Percy Heath.] (AllMusic Review by Bruce Eder, https://goo.gl/5qmcXy).

Track listing:

A1 Softly As In The Morning Sunrise 0:00
A2 Love Me Pretty Baby 3:27
A3 Autumn Breeze 7:07
A4 Milt Meets Sid 10:03
A5 Moving Nicely 13:11
A6 D & E 16:25
B1 Heart And Soul 19:22
B2 True Blues 21:53
B3 Bluesology 24:55
B4 Yesterdays 27:44
B5 Round About Midnight 30:18
B6 Between The Devil And The Deep Blue Sea 33:15

Tracks A1, A2, B1, B2 recorded NYC, April, 1952
Tracks A3, A5, B3, B5 recorded NYC, September 18, 1951
Tracks A4, A6, B4, B6 recorded NYC, August 24, 1951

Personnel:

Bass – Percy Heath (tracks: A1, A2, B1, B2), Ray Brown (tracks: A3 to A6, B3 to B6)
Drums – Al Jones (tracks: A3, A5, B3, B5), Kenny Clarke (tracks: A1, A2, A4, A6 to B2, B4, B6)
Piano – John Lewis
Vibraphone – Milt Jackson

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Released: 1952
Duration: 35:12
Recorded:October 24, 1951 – April, 1952

Producer – Ozzie Cadena