ProJazz.net

Staying on the Watch is the debut album by jazz musician Sonny Simmons. It was released as ESP-1030 on the ESP-Disk label in 1966. The cover photo used is a reverse negative, displaying Simmons playing left handed against the NYC skyline. Colin Larkin, writing in The Virgin Encyclopedia of Jazz considers it “a masterpiece of new jazz”.

“Sonny Simmons, whose work with flutist Prince Lasha had put him on the map in West Coast avant-garde jazz circles, had an important year in 1966. That was the year the alto saxophonist recorded Staying on the Watch, his first album as a full-fledged leader; Lasha and Simmons had been co-leaders on 1962’s The Cry!, but on this session, Simmons is the only one in the driver’s seat. Not surprisingly, Simmons recorded Staying on the Watch for ESP-Disk, which reissued the album on CD in 2010. ESP’s reputation for being cutting-edge is well deserved — while Impulse! could be quite daring where experimental jazz was concerned, ESP was downright fearless — and Simmons’ playing is delightfully uninhibited and free-spirited on four original compositions: “Metamorphosis,” “A Distance Voice,” “City of David,” and “Interplanetary Travelers.” That isn’t to say that Staying on the Watch is an exercise in atonal chaos; Simmons’ performances aren’t as extreme as the free jazz that John Coltrane was offering in 1966. This is inside/outside playing (more outside than inside) rather than absolute atonality from start to finish. But even so, there is a lot of intensity coming from Simmons and the four musicians who form an acoustic quintet with him: trumpeter Barbara Donald (Simmons’ wife at the time), pianist John Hicks, bassist Teddy Smith, and percussionist Marvin Pattillo. Density prevails on Staying on the Watch, and density is the thing that can make one avant-garde jazz recording a lot more jarring than another. If one compares Staying on the Watch to AACM icon and fellow altoist Roscoe Mitchell’s Sound — another historic avant-garde album that was recorded in 1966 — it isn’t hard to see why this 44-minute CD is more intense. For all its abstraction, the innovative and highly influential Sound emphasized the use of space and was a departure from the density that had characterized so much avant-garde jazz in the early to mid-‘60s. Simmons and Mitchell were alto explorers who had two different left-of-center visions in 1966, one just as valid as the other — and Simmons’ recording career as a leader was off to an exciting start with Staying on the Watch.” – Alex Henderson/AllMusic.

Tracklist:
A1 Metamorphosis 11:30
A2 A Distant Voice 7:16
B1 City Of David 14:57
B2 Interplanetary Travelers 9:18

Personnel:

Sonny Simmons – alto saxophone
Teddy Smith – bass
Marvin Pattillo – percussion
John Hicks – piano
Barbara Donald – trumpet

______________________

Released: August 30, 1966
Recorded: 1966
Length: 43:01
Label: ESP-Disk Cat # 1030
Producer: Bernard Stollman