‘Round About Midnight is an album by American jazz trumpeter Miles Davis that was released by Columbia in March 1957. “Given that ‘Round About Midnight was Miles Davis’ debut Columbia recording, it was both a [More]
The Man with the Horn is an album released by Miles Davis in 1981, featuring drummer Al Foster, saxophonist Bill Evans, guitarists Mike Stern and Barry Finnerty, and others. It was Davis’s first new release [More]
Pangaea is a live album by American jazz trumpeter, composer, and bandleader Miles Davis. It was originally released as a double album in 1976 by CBS Sony in Japan. Recorded during Davis’ electric period, the [More]
Nefertiti is the fourth album by Miles Davis‘ second classic quintet , released in March 1968. Recorded on June 7, June 22–23 and July 19, 1967, at Columbia’s 30th Street Studio, the album was Davis’ last [More]
Miles Smiles is an album by jazz trumpeter Miles Davis, released in January 1967 on Columbia Records. It was recorded by Davis and his second quintet at Columbia 30th Street Studio in New York City [More]
Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, catalogue CL 1656 and CS 8456 in stereo, released in 1961. The Allmusic site awarded the album 4 stars, [More]
Star People is a 1983 album recorded by Miles Davis and issued by Columbia Records. It is the third release after the trumpeter’s six-year hiatus. Beside the members of the band of We Want Miles [More]
Live-Evil is an album of both live and studio recordings by American jazz musician Miles Davis. Parts of the album featured music from Davis’ concert at the Cellar Door in 1970, which producer Teo Macero [More]
Jack Johnson, later reissued as A Tribute to Jack Johnson, is a 1971 studio album and soundtrack by American jazz trumpeter, composer, and bandleader Miles Davis. In 1970, Davis was asked by Bill Cayton to [More]
Agharta is a 1975 live double album by American jazz trumpeter, composer, and bandleader Miles Davis. Allmusic awarded the album 4½ stars  and reviewer Jason Ankeny wrote that “this is the greatest electric funk-rock jazz [More]