John Coltrane – Naima (Take 1) from the album “Blue World“. Personnel: John Coltrane – tenor saxophone, soprano saxophone McCoy Tyner – piano Jimmy Garrison – bass Elvine Jones – drums _______________________ Label: Verve Label [More]
Like Sonny is a posthumous studio album combining two sessions from 1958 and 1960 with jazz musician John Coltrane. The six tracks from November 1958 had been released under Ray Draper’s name as A Tuba [More]
Africa/Brass is the eighth studio album by jazz musician John Coltrane, released on September 1, 1961 on Impulse! Records, catalogue A-6. The sixth release for the fledgling label and Coltrane’s first for Impulse!, it features [More]
Expression is an album by jazz saxophonist John Coltrane. Apart from the title track, the rest of the album was recorded at about the same time as Interstellar Space. Expression was released in September 1967, [More]
“This LP (whose contents have been reissued many times) features the Miles Davis Sextet of 1959 without the leader. Altoist Cannonball Adderley and tenor saxophonist John Coltrane really push each other on these six selections, [More]
Crescent is a 1964 studio album by American jazz musician John Coltrane, released by Impulse! as A-66. “John Coltrane’s Crescent from the spring of 1964 is an epic album, showing his meditative side that would [More]
“FIRST-HAND EXPERIENCE OF THIS PERFORMANCE: John Coltrane Group, ‘Newport Jazz Festival’, Newport RI July 2, 1966. Jack responds to a note that Fujioka had indicated that producer George Wein wanted to stop the band between [More]
In 1964, Coltrane was approached by the French Canadian director Gilles Groulx to record a soundtrack for his film Le chat dans le sac. In June of that year, between the recording sessions for Crescent [More]
Olé Coltrane is the ninth album by American saxophonist John Coltrane, released in 1961 on Atlantic Records. The album was recorded at A&R Studios in New York, and was the last of Coltrane’s Atlantic albums [More]
“I Love You” (Cole Porter) from the album “Lush Life“. ” … Coltrane doesn’t have to supplement the frequent redundancy inherent in pianists, so he has plenty of room to express himself through simple and [More]
