Afro-Jaws is an album by saxophonist Eddie “Lockjaw” Davis recorded in 1960 and released on the Riverside label. “This set was a change of pace for tenor saxophonist Eddie “Lockjaw” Davis. Backed by three trumpeters [More]
Golden Boy is an album by Quincy Jones which was released by Mercury in 1964. The album includes three versions of the theme from the musical Golden Boy with three original compositions and jazz versions [More]
The Dizzy Gillespie Big 7 (also released as Dizzy) is a live album by Dizzy Gillespie recorded at the Montreux Jazz Festival in 1975 and released on the Pablo label. Track listing: “Lover, Come Back [More]
Jaws is an album by saxophonist Eddie “Lockjaw” Davis with organist Shirley Scott recorded in 1958 for the Prestige label. “Tenorman Eddie “Lockjaw” Davis and organist Shirley Scott co-led a popular combo during 1956-60, recording [More]
“The CD’s 12 tracks are actually divided into four from a 1947 Kai Winding date, four from a 1948 Brew Moore outing, and Navarro’s tracks from 1946. The three dates share the unpretentious attitude of [More]
The Bosses is a 1973 album by American blues shouter “Big Joe” Turner accompanied by a small group led by Count Basie, recorded in 1973 and released on the Pablo label. Count Basie and an [More]
It’s been said that Big Sid Catlett was the complete drummer, able to play with boppers and moldy figs alike and any kind of musician that fell in between those two opposite poles. Certainly his [More]
Misty is an album by saxophonist Eddie “Lockjaw” Davis with organist Shirley Scott recorded in 1960 and released on the Moodsville label in 1963. Track listing: A1 Misty 0:00 A2 Uh Oh 3:46 A3 Give [More]
Bacalao is an album by American saxophonist Eddie “Lockjaw” Davis and organist Shirley Scott recorded in 1959 for the Prestige label. The Allmusic site awarded the album 4 stars, stating: “Organ combo soul-jazz was still [More]
  On Sept. 18, 1965, Count Basie was in the U.K. touring when the band appeared on the BBC’s Show of the Week. Basie’s New Testament band was in peak ’60s form, and the show [More]