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My Goal’s Beyond is the fourth solo album (after Extrapolation and Devotion) by John McLaughlin. The album was originally released in 1971 on Douglas Records in the US. It was later reissued by Douglas/Casablanca (1976), [More]

“My Love and I” (Johnny Mercer, David Raksin). Personnel: Charlie Haden – bass Ernie Watts – tenor saxophone Metropole Orkest Strings (conducted by Vince Mendoza)

Memoirs is an album by pianist Paul Bley, bassist Charlie Haden and drummer Paul Motian recorded in 1990 and released on the Italian Soul Note label. “Memoirs serves as a tidy summation of Paul Bley’s [More]

First Song is an album by the American jazz bassist Charlie Haden recorded in 1990 and released on the Italian Soul Note label in 1992. The album features Haden playing with pianist Enrico Pieranunzi and [More]

Mysteries is the fourth album on the Impulse! label by jazz pianist Keith Jarrett. Originally released in 1976, it features performances by Jarrett’s ‘American Quartet’, which included Dewey Redman, Charlie Haden and Paul Motian with [More]

Fort Yawuh is an jazz album by American pianist and composer Keith Jarrett. Originally released in 1973 by Impulse! Records, it features a live performance recorded at the Village Vanguard on February 24, 1973, by [More]

Soapsuds, Soapsuds is an album by Ornette Coleman and Charlie Haden recorded in 1977 and released on the Artists House label. “This unusual album found Coleman taking time off from his electric free funk group, Prime Time, to record acoustic duets [More]

“Twilight Song” (Kenny Barron) from the album Night and the City (1998). Night and the City is a live album by bassist Charlie Haden and pianist Kenny Barron recorded at the Iridium Jazz Club in [More]

Free Jazz: A Collective Improvisation is the sixth album by jazz saxophonist and composer Ornette Coleman, released on Atlantic Records in 1961, his fourth for the label. Its title established the name of the then-nascent [More]

Skies of America is the 17th album by jazz saxophonist Ornette Coleman, released on Columbia Records in 1972. It consists of one long composition by Coleman taking up both sides of the album, played by [More]