The Big Sound is an album by saxophonist Gene Ammons recorded in 1958 and released on the Prestige label. The album was recorded at the same sessions which produced Groove Blues. AllMusic Review by Scott [More]
Track listing: A1 El Torro Poo Poo (Richard Fritz) 3:10 A2 Greeze  (Richard Fritz) 4:37 A3 She (Richard Fritz) 6:31 A4 Grits (Richard Fritz) 6:42 B1 Greens (Richard Fritz) 4:37 B2 Nightwood (Richard Fritz)  2:26 B3 It’s Too Late (Carole King, Toni Stern) 9:18 [More]
Jazz for the Jet Set is an album by American jazz vibraphonist Dave Pike which was recorded in 1965 for the Atlantic label. AllMusic Review by Scott Yanow: This disc is a bit unusual in [More]
Salt Song is an album by jazz saxophonist Stanley Turrentine recorded for the CTI Note label featuring performances by Turrentine with an orchestra arranged by Eumir Deodato. AllMusic Review by Steve Huey: Stanley Turrentine’s stint [More]
This Here Is Bobby Timmons is the debut album led by American jazz pianist Bobby Timmons recorded in 1960 and released on the Riverside label. AllMusic Review by Scott Yanow: This is a classic Riverside [More]
It Could Only Happen with You is the final album by American pianist and arranger Duke Pearson featuring performances recorded in 1970 but not released on the Blue Note label until 1974. AllMusic Review by [More]
Know What I Mean? is a 1962 album by jazz musician Julian “Cannonball” Adderley, accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet. It was released on Riverside label as RLP-433. [More]
Chicago jazz pianist John Wright earned his reputation with a string of LPs for the Prestige label in the early 60s—his 1960 debut made such an impression that its title, South Side Soul, remains his [More]
Out of the Forrest is an album by saxophonist Jimmy Forrest recorded in 1961 and released on the Prestige label. AllMusic Review by Scott Yanow: This CD reissue is an excellent example of tenor saxophonist [More]
Blow Arnett, Blow (also rereleased as Go Power!!!) is an album by saxophonists Arnett Cobb and Eddie “Lockjaw” Davis recorded in 1959 for the Prestige label. AllMusic Review by Scott Yanow: Arnett Cobb’s debut for [More]