Atlantis is a live album by American jazz pianist McCoy Tyner recorded at the Keystone Korner in San Francisco and released on the Milestone label. The Allmusic review by Scott Yanow awarded the album 4 [More]
Adam’s Apple is the tenth album by American jazz saxophonist  Wayne Shorter. The Allmusic review by Stacia Proefrock awarded the album five stars and stated that “this is one of the great works of mid-’60s [More]
This Is Walt Dickerson! is the debut album  by American vibraphonist  Walt Dickerson recorded in 1961 and released on the New Jazz label. Allmusic awarded the album 4½ stars and reviewer Steve Huey wrote that  [More]
Triple Threat is the fourth album by saxophonist Jimmy Heath featuring performances recorded in 1962 originally released on the Riverside label. AllMuѕіс Review bу Sсоtt Yanow:  Jіmmу Hеаth hаѕ lоng been at lеаѕt a trірlе [More]
Since We Met is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Village Vanguard in New York City in 1974 and released on the Fantasy label [More]
Passing Ships is the thirteenth album by American jazz pianist Andrew Hill featuring performances recorded in 1969 but not released on the Blue Note label until 2003. The album features Hill with a large horn [More]
Thelonious Alone in San Francisco is jazz pianist Thelonious Monk‘s third solo album, released in 1959. It was recorded in Fugazi Hall, San Francisco, California on October 21 and 22, 1959, but without an audience present. [More]
Don’t Look Back is an album led by American saxophonist Harold Vick recorded in 1974 and released on the Strata-East label. Track listing: All compositions by Harold Vick. “Don’t Look Back” – 5:59 “Melody for [More]
Sambao is a studio album by American jazz pianist Kenny Barron, which was released in 1992 on Verve Records label. The album contains eight original instrumental compositions written by Barron. Track listing: 1. “Sambao” 6:16 [More]
 Speak No Evil is the sixth album by Wayne Shorter. It was released in June 1966 by Blue Note Records. The music combines elements of hard bop and modal jazz. The cover shows Wayne [More]