Coltrane Plays the Blues is an album credited to jazz musician John Coltrane, released in 1962 on Atlantic Records, catalogue SD 1382. It was recorded at Atlantic Studios during the sessions for My Favorite Things, [More]
You’re Gonna Hear From Me is a live album by American pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Jazzhus Montmartre in Copenhagen in 1969 but not released until the 1980s [More]
Sama Layuca is a studio album by American jazz pianist McCoy Tyner, released in 1974 by Milestone Records. The Allmusic review by Scott Yanow awarded the album 4½ stars and said that Tyner is “heard at [More]
Time Capsule is a jazz album by drummer Elvin Jones recorded in 1977 and released on the Vanguard label. The Allmusic review by Scott Yanow awarded the album 3 stars and stated “Overall, the music [More]
Love in Us All is an album by American saxophonist and composer Pharoah Sanders released on the Impulse! label. Rесоrdеd nеаr thе еnd of Pharoah Sаndеrѕ‘ tеnurе аt Impulse, Lоvе іn Us All consists оf [More]
Mr. Billy Higgins is an album by American jazz drummer Billy Higgins recorded in 1984 and first released on the Riza label. The Allmusic review by Scott Yanow awarded the album 4 stars, calling the [More]
Mirror Mirror is an album by American jazz saxophonist Joe Henderson recorded in 1980 and released on the German MPS label. Track listing: “Mirror Mirror” (Chick Corea) – 5:53 “Candlelight” (Ron Carter) – 6:13 “Keystone” [More]
Taru is an album  by American jazz trumpeter Lee Morgan, recorded in 1968, but not released on the Blue Note label until 1980. Scott Yanow (AllMusic) awarded the album 4 stars and noted that “this [More]
Atlantis is a live album by American jazz pianist McCoy Tyner recorded at the Keystone Korner in San Francisco and released on the Milestone label. The Allmusic review by Scott Yanow awarded the album 4 [More]
Adam’s Apple is the tenth album by American jazz saxophonist  Wayne Shorter. The Allmusic review by Stacia Proefrock awarded the album five stars and stated that “this is one of the great works of mid-’60s [More]