Bill Frisell & Thomas Morgan – Epistrophy Personnel: Bill Frisell – guitar Thomas Morgan – bass _______________________________________ Recorded Live: 8/16/2017 – Paste Studios – New York, NY BUY The New Bill Frisell & Thomas Morgan [More]
from the album “Structuralism” (will be released on April 26, 2019.). Personnel: Yamaha CP88 – Alfa Mist Bass – Kaya Thomas-Dyke Trumpet – Johnny Woodham Drums – Peter Adam Hill **** Violin I – Simmy [More]
Kit Downes’s previous ECM appearance was as the pianist on the debut recording of Time Is A Blind Guide in 2015 and he’s critically-regarded as one of the UK’s A outstanding young jazz talents. This [More]
“Absinthe” from the new Dominic Miller‘s album “Absinthe” (2019). With Absinthe, his second release for ECM, guitarist Dominic Miller has created an album colored by a distinct atmosphere. “The first thing that came to me [More]
While it’s fairly likely that both men have moved on to points unknown by now, with Alma they have created a work of art of full of life, love and soul. This is music worth [More]
Allmusic awarded the album four stars and reviewer Matt Collar wrote that “The Messenger” is an enjoyable balance of groove-oriented improvisation, atmospheric ballads, and funky, contemporary instrumental jazz. Eubanks sought “to communicate the breadth of [More]
Streamed live from Nasjonal Jazzscene, Victoria in Oslo, Norway, February 27th, 2015. Mathias Eick Midwest band: Mathias Eick – trumpet Andreas Ulvo – keyboards Mats Eilertsen -bass Erlend Viken – violin Torstein Lofthus – drums
Don Grolnick Quintet – Jazz Fest Wien 1991 Don Grolnick – piano Eddie Gomez – bass Victor Lewis – drums Randy Brecker – trumpet Joe Henderson – tenor saxophone
Medea Home (Itamar Zion). Personnel: Guy Ronen – trumpet Lior Gani – alto saxophone Itamar Zion – piano Eilam Daniel- electric bass Itay Lichtig – drums
“Will I Die, Miss? Will I Die?” (Avishai Cohen) from the album “Cross My Palm with Silver”. “The iconic production of Manfred Eicher’s label again seems perfectly suited to etching forth the nuances of Cohen’s exquisite [More]